The Outdoor Girls of Deepdale; Or, camping and tramping for fun and health — Inside the Classic

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Hope, Laura Lee Project Gutenberg 2003 Not confirmed
Adventure stories; Camping -- Juvenile fiction; Girls -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 43,731
Reading time 191 min
Text sections 5

The Outdoor Girls of Deepdale; Or, camping and tramping for fun and health — Inside the Classic can be approached with a clearer sense of reading commitment from its source measurements: 43,731 words, 3 hr 11 min estimated reading time, and 5 detected text sections.

The text analysis averages about 11.8 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Adventure stories,” connecting these edition facts with the source record’s subject description.

This editorial note examines how the opening, middle, and later excerpts of Laura Lee Hope's 1913 girls' adventure story guide a first reading, focusing on the club's formation, the dog attack incident, and the narrative's episodic structure.
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Editorial Edition Score 4.7/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

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  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

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Read the Text

They had reached a place where the highway ran under a railroad line, that crossed on a high bridge. As the girls came under the structure a fluttering bit of paper on the ground caught the eyes of Betty. Rather idly she picked it up, and the next moment she uttered a cry that brought her chums to her side in some alarm.

"Look!" she exclaimed. "A five hundred dollar bill is pinned to this paper! A five hundred dollar bill, girls!"

With staring eyes, and with breaths that were labored, the three chums gathered about Betty. She held the bill, and the paper pinned to it, stretched tightly between her slim fingers.

"Is it--is it real?" gasped Grace.

"Of course it's real," declared Amy.

"How do you know?" asked Mollie. "I confess I never saw a five hundred dollar bill all at once before."

"Did you see it in pieces?" asked Grace. "What a lot of money!"

"How many pounds of chocolates would it buy?" asked Amy, with a laugh.

"Don't you dare say chocolate to me!" commanded Grace.

"It is real," went on Betty, who had not spoken since picking up the money. "There's no doubt of that."

"If findings were keepings you'd be well off," said Mollie. "How lucky you are!" and sighed.

"Of course I can't keep it," decided Betty. "But I wonder who could have dropped it?" and she looked up at the railroad bridge over their heads, as if she might see some one standing there waiting for the return of the bill.

"What is that paper pinned to it?" asked Grace, as she took hold of it while Betty held the bank note by the two ends.

"That's so--I forgot to look at that," said the finder. She turned it over. There was some writing on it. It said:

"_ This is my last five hundred dollar bill--all that is left of my fortune. This is to remind me that if I don't make good use of this I don't deserve any more luck. It is make or break with me now! Which will it be?_"

The girls were silent for a moment or two after reading this strange message that had come to them in such a queer manner. Then Betty said:

"Girls, what do you make of it?"

"It's a joke!" declared Grace.

"It sounds far from being a joke," spoke Betty, seriously. "Girls, there may be a grim tragedy here."

"How romantic!" sighed Mollie. "What shall we do with the money?"

"We must take it home and consult our folks about it," decided Betty. "I'll ask papa--and you might refer the question to yours, Amy. Being a broker, he's quite likely to know about such things, and can tell us what to do. This is quite a lot of money to lose, I wonder how we can find the owner?"

"Maybe there'll be a notice in the post office."

"It can't have been here very long. Perhaps we'll meet whoever it belongs to, coming back to look for it," spoke Grace.

Thus came some opinions, and while various others were rapidly formed and expressed, and as the girls are speculating on how the bill, and the attached paper, came to lie so openly on the highway, I hope I may be permitted to insert here a little descriptive matter that will, perhaps, give the reader a clearer understanding of the characters of this story.

And as Betty Nelson had, by right of more than one informal conquest, reached the position of leader, I can do no better than begin with her.

Betty was about sixteen years old. She was not exactly what one would call "pretty"--that is, at first glance. More likely she would have been spoken of as "good-looking." At least by the boys. And certainly Betty was good to look upon. Her face showed her character. There was a calm thoughtfulness about it that suggested strength of mind, and yet it was not the type of face called "strong." It was purely girlish, and it reflected her bright and vivacious manner perfectly. How her features lighted up when she spoke--or listened--her friends well knew. Her eyes seemed always to be dancing with fun, yet they could look calmly at trouble, too.

The opening chapter introduces four girls walking arm-in-arm, their talk punctuated by laughter and waltz steps. Betty Nelson is immediately established as the leader, while Amy Stonington voices caution and Grace Ford embodies enthusiasm. The dialogue reveals the girls are forming a tramping club, a plan that promises both fun and health. The narrator describes them as making a "bright, and sometimes a dimmer, picture" as they pass from sunshine to shadow—a small but telling detail that signals the book's interest in visual contrasts and group dynamics.

A Club Born from Restlessness

The first excerpt establishes the club's purpose through conversation rather than exposition. Betty proposes the idea, and her friends respond with varying degrees of eagerness. Grace declares she "detests monotony," while Amy worries about "too many things" happening. This tension between adventure and caution sets up the group's dynamic. The girls are not described as particularly athletic or outdoorsy; instead, they seem motivated by a desire for novelty. The phrase "camping and tramping for fun and health" from the title is echoed in their talk, but the excerpts suggest the health angle is secondary to the thrill of doing something different.

The Dog Attack as a Test of Character

In a later excerpt, the girls encounter a farmer's dog that has been irritated by burrs tied to its tail. The scene is structured as a sudden crisis: Amy runs, the dog chases, and a hired man intervenes by throwing a pitchfork to trip the animal. The narration shifts between the girls' panicked exclamations—"I know I'm going to faint!" says Grace—and the farmer's apologetic explanation. The incident serves multiple purposes: it showcases Amy's vulnerability, Betty's quick thinking, and the group's reliance on adult help. The farmer's wife then invites them to supper, mistaking them for suffragists, a joke that lightly touches on gender roles.

Lost on the Road to Rockford

The dog attack occurs because the girls have lost their way while walking to Rockford. This detail is woven into the dialogue: Betty mentions her aunt Mrs. Palmer, and the farmer recognizes the name. The episode thus doubles as a plot device to introduce a local connection and provide a meal. The girls' disorientation is treated matter-of-factly; they are not panicked about being lost, but rather treat it as an inconvenience. The farmer offers to help them get to Rockford, suggesting that the narrative will continue to rely on helpful strangers to move the plot forward. The excerpt ends with the girls accepting the invitation, their adventure momentarily paused.

Episodic Structure and the Role of Chance

The excerpts reveal a story built around a series of encounters rather than a single overarching conflict. The club's formation in chapter one leads to a journey, and the dog attack is one of many incidents suggested by the chapter titles: "The Leaky Boat," "The Barking Dog," "The Missing Lunch." Each chapter appears to present a self-contained challenge. The girls are not portrayed as highly competent outdoorswomen; they lose their way, rely on strangers, and react emotionally to danger. This episodic, accident-driven structure is typical of early twentieth-century series fiction, where the pleasure lies in seeing how the characters handle each new predicament.

Readers approaching The Outdoor Girls of Deepdale for the first time should expect a light, episodic adventure that prioritizes group interaction over survival skills. The excerpts suggest the narrative moves from one incident to the next, with the girls' camaraderie as the constant thread. Pay attention to how each character's personality—Betty's leadership, Amy's caution, Grace's dramatics—shapes the group's response to trouble. The book's charm lies not in realistic camping but in the cheerful, slightly chaotic energy of four friends navigating small crises together.

Reading about the girls tramping for fun reminded me of summers when my own scraped knees carried me nowhere in particular. That same unhurried wandering lives in Saïd the fisherman, where every path bends unexpectedly, like the dog attack that jolts this story—not a lesson, just weather. I closed both books feeling oddly homesick for fields I’ve never seen. Saïd the fisherman — A Reader’s Guide.

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