The Dare Boys of 1776 — Reading Companion

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Cox, Stephen Angus Douglas, 1863-1944 Project Gutenberg 2005 Not confirmed
Teenage boys -- Juvenile fiction; Spy stories; United States -- History -- Revolution, 1775-1783 -- Juvenile fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 36,866
Reading time 161 min
Text sections 17

The catalog record for The Dare Boys of 1776 — Reading Companion provides practical reading context through 36,866 words, 2 hr 41 min estimated reading time, and 17 detected text sections.

The text analysis averages about 16.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Teenage boys -- Juvenile fiction,” connecting these edition facts with the source record’s subject description.

In this 1910 boys' adventure, brothers Dick and Tom Dare navigate Revolutionary War dangers, from the Liberty Bell's ringing to spy missions and a British prison hulk. The text contrasts impulsive Tom with cautious Dick, while Tory bullies Zeke Boggs and Lem Hicks provide local conflict.
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Editorial Edition Score 4.7/5

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Read the Text

They looked all around, but to their surprise, and to their alarm as well, there was no one in sight. Neither their father nor the Tories could be seen anywhere. It was so dark that the youths could not see any very great distance with distinctness, but they were confident that there was nobody in the back yard.

"They're around in the front yard, likely, Dick," said Tom, but his tone lacked positiveness. It was evident that he had fears that such was not really the case.

The two hastened around the house, accompanied by their mother, who had followed them to the door and had, like her sons, noted that there was nobody to be seen. And when they reached the front yard, they saw it was the same there: Not a soul was in the front yard. The Tories, and Mr. Dare as well, had disappeared.

"Oh, where can they be?" cried Mrs. Dare, almost at the weeping point. "What have they done with your father? Oh, I am afraid they have wrought him injury of some kind, sons!"

The youths were alarmed, but they pretended that such was not the case, in order to reassure their mother. They said that their father was all right.

"He has gone with them, to see about something," said Dick. "You go back in the house, mother, and Tom and I will go over to Mr. Boggs and see what has become of father. Likely he is there. You go in and stay with Mary. We won't be gone long."

"Very well, Dick," said Mrs. Dare; "but hurry, for I shall be anxious till you get back with your father."

She entered the house, and Dick and Tom hastened over to the Boggs home, which was less than a quarter mile distant. Mr. Dare was not there, and Mrs. Boggs said she did not know where her husband was, that he had left the house an hour or more before, saying he did not know when he would be back. Thanking her for the information, Dick and Tom hastened to the homes of several of the neighboring Tories in succession, and made inquiries regarding Mr. Dare, but with the same result as at the Boggs home. In none of the homes visited were any of the men of the house, and the women did not know where the men were.

Greatly worried now, but hoping they would find their father at home when they got there, Dick and Tom hastened back, and as they approached the house, they caught sight of something white on the door. When they reached the door, they found it was a piece of paper, and on taking this into the house discovered it was a rudely scrawled note, signed by Abe Boggs and six of his Tory neighbors. The note read as follows:

"To Mrs. Dare and rebel sons, Dick and Tom:

"We hev took Henry Dare prisner. He is a rebel, an we are goin ter turn him over to Captain Wilson an his compny uv British sojers, who hev ben heer fur a week past, an are goin to jine the main army on Long Island to-night. Ye kaint do nothin to git him back, so ye needn try. An ye two boys, Dick an Tom, had better be keerful er we'll serve ye worsen whut we hev yer father. We don't aim ter hev any rebels in our neighborhood. So, Dick and Tom Dare, hev a care!"

"Oh, husband is a prisoner in the hands of the British!" wailed Mrs. Dare. "Oh, this is terrible, boys! What shall we do? Oh, what shall we do!"

"Don't be frightened, mother," said Dick, soothingly. "I don't think father is in any danger. He is a prisoner, true, but the British don't kill prisoners, and sooner or later father will escape-or be rescued. That will be work for Tom and I, mother!" his eyes lighting up. "We will make it our object in life to rescue father and get him back home here, with you, mother."

The poor woman was not greatly comforted, however, and she shook her head, at the same time saying, in a hopeless tone of voice:

"What could you do, you are only a couple of boys? You could not possibly rescue father. It is useless to think of such a thing. Oh, I greatly fear I shall never see my husband again in this world! Oh, those terrible, cowardly Tories!" The good woman gave way to an outburst of uncontrollable grief.

The Dare Boys of 1776 opens on July 4, 1776, with Philadelphia in a state of intense anticipation. The Liberty Bell has not yet rung, and the crowd argues whether the Declaration of Independence will be adopted. Among the throng are brothers Dick and Tom Dare, who have crossed from New Jersey to hear the news. Their excitement is immediately challenged by Tory neighbors Zeke Boggs and Lem Hicks, who taunt that the rebels “don't darst” defy King George. This early confrontation establishes a pattern of local loyalist opposition that runs alongside the larger revolutionary conflict.

Brothers in Contrast

Dick and Tom Dare are distinguished by temperament as much as by age. Dick, the elder, is described as “a handsome, manly youth,” and his actions show restraint and strategic thinking. When Tom impulsively retorts to the Tory boys, Dick gives him “a warning look.” Later, when Tom is captured by British soldiers, Dick’s first thought is to plan a rescue, not to panic. Tom, by contrast, is “excitable” and quick to speak. He gives his real name to the enemy and then regrets it. The narrative repeatedly places Dick in the role of the steady planner, while Tom’s impulsiveness creates complications that drive the plot forward.

Spy Work and Prison Hulks

The excerpts reveal that Dick becomes involved in espionage, including a mission to rescue patriot prisoners held in “the old hulk used for a prison.” This detail—a prison ship—is historically grounded and adds a grim note to the adventure. Dick’s internal resolve is stated plainly: “I must rescue them! … I will rescue them!” The story also features a British general, General Percy, who interrogates Tom with a “grim smile,” suggesting that the enemy officers are not mere caricatures. The spy plot involves hiding in enemy camps, gathering intelligence, and the constant risk of exposure.

Local Tensions and Tory Rivals

The Tory neighbors Zeke Boggs and Lem Hicks serve as personal antagonists for the Dare boys. Their sneering dialogue—“They don't darst”—is rendered in dialect, marking them as both social and political opposites. The conflict is not only between colonies and crown but also between neighbors. This local dimension grounds the revolutionary struggle in everyday life. The boys’ journey from New Jersey to Philadelphia and later to Long Island shows how the war draws them away from home, but the presence of Tory rivals ensures that the conflict remains personal even when the setting shifts.

Readers should pay attention to how the author balances historical events with the brothers’ personal adventures. The Liberty Bell scene, the prison hulk, and the spy missions are all rooted in Revolutionary War history, but the story’s engine is the relationship between Dick and Tom. Their contrasting personalities—one cautious, one rash—create a dynamic that propels the action. The excerpts do not reveal the outcome of their missions, so the tension remains unresolved until the final pages.

There’s something almost poignant about the Dare boys’ fixed, earnest world—Dick’s caution, Tom’s hot blood, both of them so sure of right and wrong. Reading it now, I find myself drifting toward Rabelais, where heroism frays into laughter and nothing stays solemn. Gargantua and Pantagruel, Illustrated, Book 3 — Themes and Context sits on my shelf like a wink from an older, stranger friend, and I keep returning to it with a quiet, wondering fondness.

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